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defunctfashion:Norman Hartnell | Wedding Gown | c.1933Worn by...

House of Worth | c. 1882 via defunctfashion

Yves Saint Laurent | c. 1960 (via defunctfashion)

defunctfashion:Costume from “Marie Antoinette” | Gilbert Adrian...

defunctfashion:Lanvin | c. 1937 • • •In keeping with the...

defunctfashion:Suit | c. 1760• • •This magnificent suit...

defunctfashion:Robe à la Française | c.1760• • •Monochrome,...

defunctfashion:Hungarian Dolman Ensemble | c. 1770 • • •This...

defunctfashion:Balenciaga | Wedding Dress| c. 1957• •...

defunctfashion:House of Worth | c. 1897• • •This is a fine...

defunctfashion:Mourning Tiara | c. 1880s• • •Jet is the...

defunctfashion:Jacques Doucet | c. 1890• • •This exceptionally...

defunctfashion:Charles James | Tree | c. 1955• • •Reshaping...

defunctfashion:Norman Hartnell | Court Presentation Ensemble |...

defunctfashion:Court Dress and Train | c. 1865• • •The...

defunctfashion:Alexander McQueen | c. 2008• • •The finale...

defunctfashion:Rei Kawakubo (Comme des Garçons | c. 1983• • •A...

defunctfashion:Bicycling Ensemble | c. 1890s• • •The first...

defunctfashion:Jeanne Lanvin | Robe de Style | c. 1926• •...

defunctfashion:Alexander McQueen | c. 2008• • •The finale look...

defunctfashion:Alexander McQueen | c. 2010• • •“…when a...

defunctfashion:Alexander McQueen | c. 2008• • •Just when it...

defunctfashion:Day Dress | c. 1867• • • #historicalfashion...

defunctfashion:Jeanne Lanvin | Evening Dresses | c. 1911• •...

defunctfashion:Afternoon Dress | c. 1895• • •Sleeves expanded...

defunctfashion:Robe à la Française | c. 1770• • •Flounce, fly...

defunctfashion:Mantua | c. 1708• • •The late 1670s saw a new...

defunctfashion:Wedding Ensemble | Yves Saint Laurent | c. 1976

defunctfashion:Evening Gown | c. 1861• • •By the late 50’s,...

defunctfashion:Banyans | c. 1730-80• • •For at-home wear, a...

defunctfashion:Christian Dior | ‘Cygne Noir’ | c. 1949• •...

defunctfashion:Robe à la Française | c. 1760• • •...

defunctfashion:Doublet | c. 1620s• • •This extraordinary...

defunctfashion:Valentino | c. 1992• • •The gown was worn by...

defunctfashion:Lady Gaga in Armani Privé• • •@ladygaga...

defunctfashion:Chanel | c. 1937• • •During the 1930s Chanel...

defunctfashion:Robe à la Francaise | c. 1770• • •Although the...

defunctfashion:Charles Frederick Worth | c. 1872• • •The...

defunctfashion:Arnold Scaasi | c. 1983• • •Arnold Scaasi, the...

defunctfashion:Yves Saint Laurent | c. 1983• • •Yves Saint...

defunctfashion:Riding Habit | c. 1885• • •The tailoring firm...

defunctfashion:Christian Lacroix | “Qui a le Droit?” Wedding...

defunctfashion:Tea Gown | c. 1915• • •#whattheywore...

defunctfashion:Gilbert Adrian | “Winged Victory” | c. 1947• •...

defunctfashion:Charles James | ‘Petal’ | c. 1951• • •The...

defunctfashion:Charles Frederick Worth | c. 1895• • •This...

defunctfashion:Redfern and Sons | c. 1888• • •I rarely...

defunctfashion:Riding Habit | c. 1825• • •I don’t know if I...

defunctfashion:Franco Moschino | c. 1989• • •The...

defunctfashion:Court Gown | c.1750 —In the eighteenth century,...

defunctfashion:Afternoon Dress | c. 1822 ・・・There is a brief...

defunctfashion:Alexander McQueen | c. 2010• • •“…when a...

defunctfashion:John Galliano for Dior | c. 1998 • • •In this...

defunctfashion:Walter Plunkett | Costume Sketch for “Gone With the Wind” | 1939⠀⠀———⠀⠀This sketch...

defunctfashion:Afternoon Dress | c. 1895• • •Sleeves expanded...

defunctfashion:Stage Costume for Dalida | Mine Barral-Vergez |...

defunctfashion:Balenciaga | c. 1962 ・・・This silk satin gown is...

defunctfashion:Jeanne Lanvin | c. 1935・・・Lanvin was known...

defunctfashion:Yves Saint Laurent | c. 1983・・・The most...

defunctfashion:Valentino | c. 2014・・・Maria Grazia Chiuri and...

defunctfashion:Mourning Court Dress and Veil | c....

drawthisdress:Day Dress | c. 1835 (found via defunctfashion)...

drawthisdress:Lanvin | c. 1954 (via defunctfashion) …I maaay...

defunctfashion:Wedding Mantua | c.1759 — Helena Slicher’s wedding gown, which wore at he

defunctfashion:Elizabeth Hawes | “It’s My Own Invention” | c. 1937

defunctfashion:Men’s Ensemble | c. 1790s• • •#whattheywore #historicalfashion #

defunctfashion:Nothing like a little #Fragonard humour to start your day. Thanks @newyorkermag!

defunctfashion:Men’s Ensemble | c. 1790s• • •#whattheywore #historicalfashion #

defunctfashion:Jeanne Paquin | c. 1903 • • • The hanging grape cluster decorations m

defunctfashion:I’m so glad I decided to get back to posting on defunctfashion again this year.

defunctfashion:Afternoon Dress | c. 1895 • • • Sleeves expanded during the early 1890

defunctfashion:Jacques Doucet | c. 1890 • • • This exceptionally beautiful ball gown

defunctfashion:Wedding Gown | c. 1868 • • • By the mid 1860s weddings had gone from s

defunctfashion: Robe à la Française | c. 1770 • • • Flounce, fly fringe

defunctfashion: Mantua | c.1760 —The gown had been found in May 1989 by Theresa Merville Crawl

defunctfashion: Court Gown | c.1750 —In the eighteenth century, formal dress was so closely as

defunctfashion: Evening Dress | c. 1855 This dress might be termed a typical example of the delicat

defunctfashion:Robe à l’Anglaise | c. 1790 • • • This dress beautifully

defunctfashion:Riding Habit | c. 1770s • • • #whattheywore #historicalfashion #fashi

defunctfashion:Venetian Court Dress | c. 1745 • • • #whattheywore #historicalfashion

defunctfashion: Rode de Cour | c.1770s —#whattheywore #historicalfashion #fashion #fashiondesi

defunctfashion:Court Dress | c. 1860-65The combination of court dress and the 1860s crinoline makes

defunctfashion:House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Greff

defunctfashion:Suit with Women’s Suffrage Sash and Pin | c. 1917 • • • Tomorrow if you’re not voting

defunctfashion:Ball Gown | c. 1859・・・Usually I have an aversion to fringe used in sartorial applicat

defunctfashion:House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Greff

defunctfashion:Robe à la Française | c.1760A typical 18th century women’s dress,

defunctfashion:Open-robe Gown | c. 1797The Empire dress owes its name, physical emancipation, popula

defunctfashion:whattheywore:chocolatepot:Reception gown (or costume), Mme Ed. E. Thomé, ca. 1

defunctfashion:Robe à la Française | c.1760A typical 18th century women’s dress,

defunctfashion:Elizabeth Hawes | “It’s My Own Invention” | c. 1937

defunctfashion:House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Greff

defunctfashion:House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Greff

defunctfashion:Robe à la Française | c.1760A typical 18th century women’s dress,

defunctfashion:whattheywore:chocolatepot:Reception gown (or costume), Mme Ed. E. Thomé, ca. 1

defunctfashion:Nothing like a little #Fragonard humour to start your day. Thanks @newyorkermag!

defunctfashion: Costume for “The Phantom of the Opera” | Alexandra Byrne | 2004 Worn by

defunctfashion: Robe à la Française | c.1760 A typical 18th century women’s dres

defunctfashion:Adam Ant | c. 1981 • • • Ant designed of all his own costumes, indebte

defunctfashion: Court Dress | c. 1860-65 The combination of court dress and the 1860s crinoline make

defunctfashion:House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Greff

defunctfashion: Costume for “The Phantom of the Opera” | Alexandra Byrne | 2004 Worn by

defunctfashion: Suit and Beaver Tricorne Hat | c. 1780 #whattheywore #historicalfashion #fashion #fa

defunctfashion: Robe à la Française | c.1760 A typical 18th century women’s dres

defunctfashion:Ball Gown | c. 1859 ・・・ Usually I have an aversion to fringe used in sartorial applic

defunctfashion: Nothing like a little #Fragonard humour to start your day. Thanks @newyorkermag!

defunctfashion: Incroyable Ensemble | c. Late 1790s • • • By the end of the 1790s, ga

defunctfashion:House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Greff

defunctfashion: Incroyable Ensemble | c. Late 1790s • • • By the end of the 1790s, ga

defunctfashion:Rode de Cour | c.1770s —#whattheywore #historicalfashion #fashion #fashiondesig

defunctfashion: Robe à la Française | c.1760 A typical 18th century women’s dres

defunctfashion: whattheywore: chocolatepot: Reception gown (or costume), Mme Ed. E. Thomé, ca

defunctfashion:Adam Ant | c. 1981 • • • Ant designed of all his own costumes, indebte

defunctfashion: Gilbert Adrian | Costume for Norma Shearer as Marie Antoinette | c. 1938 1930s inter

defunctfashion: Costume for “The Phantom of the Opera” | Alexandra Byrne | 2004 Worn by

defunctfashion:House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Greff

defunctfashion:House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Greff

defunctfashion:House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Greff

defunctfashion:House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Greff

defunctfashion:Wedding Mantua | c.1759 — Helena Slicher’s wedding gown, which wore at he

defunctfashion:House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Greff

defunctfashion: Robe à la Française | c.1760 A typical 18th century women’s dres

defunctfashion: Ruby Lips Brooch | Salvador Dali | c. 1949

defunctfashion: Nothing like a little #Fragonard humour to start your day. Thanks @newyorkermag!

defunctfashion: Men’s Ensemble | c. 1790s • • • #whattheywore #historicalfashio

defunctfashion: Robe à la Française | c.1760 A typical 18th century women’s dres

defunctfashion: Men’s Ensemble | c. 1790s • • • #whattheywore #historicalfashio

defunctfashion: Gilbert Adrian | Costume for Norma Shearer as Marie Antoinette | c. 1938 1930s inter

defunctfashion: Suit and Beaver Tricorne Hat | c. 1780 #whattheywore #historicalfashion #fashion #fa

defunctfashion: Costume for “The Phantom of the Opera” | Alexandra Byrne | 2004 Worn by

defunctfashion: whattheywore: chocolatepot: Reception gown (or costume), Mme Ed. E. Thomé, ca

defunctfashion:Rode de Cour | c.1770s —#whattheywore #historicalfashion #fashion #fashiondesig

defunctfashion: whattheywore: chocolatepot: Reception gown (or costume), Mme Ed. E. Thomé, ca

defunctfashion:Evening Dress | c. 1892

defunctfashion:House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Greff

defunctfashion: Madeleine Vionnet | c. 1936 • • • Vionnet offered an ultimate perform

defunctfashion: Nothing like a little #Fragonard humour to start your day. Thanks @newyorkermag!

defunctfashion: whattheywore: chocolatepot: Reception gown (or costume), Mme Ed. E. Thomé, ca

Yves Saint Laurent | c. 1960 (via defunctfashion)

defunctfashion: Robe à la Française | c.1760 A typical 18th century women’s dres

drawthisdress: House of Worth | c. 1882 via defunctfashion

defunctfashion:House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Greff

defunctfashion: Costume for “The Phantom of the Opera” | Alexandra Byrne | 2004 Worn by

defunctfashion:House of Worth | c. 1900 ・・・ A superb example of dressmaking from the House of Worth,

defunctfashion: whattheywore: chocolatepot: Reception gown (or costume), Mme Ed. E. Thomé, ca

defunctfashion:Adam Ant | c. 1981 • • • Ant designed of all his own costumes, indebte

defunctfashion: Gilbert Adrian | Costume for Norma Shearer as Marie Antoinette | c. 1938 1930s inter

defunctfashion:Nothing like a little #Fragonard humour to start your day. Thanks @newyorkermag!

defunctfashion:Rode de Cour | c.1770s —#whattheywore #historicalfashion #fashion #fashiondesig

defunctfashion: Ceremonial Gown worn by Dowager Tsarina Maria Fyodorovna | c. 1820

defunctfashion: Madeleine Vionnet | c. 1936 • • • Vionnet offered an ultimate perform

defunctfashion: House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Gref

defunctfashion:Adam Ant | c. 1981 • • • Ant designed of all his own costumes, indebte

defunctfashion: Gilbert Adrian | Costume for Norma Shearer as Marie Antoinette | c. 1938 1930s inter

defunctfashion: whattheywore: chocolatepot: Reception gown (or costume), Mme Ed. E. Thomé, ca

defunctfashion: Incroyable Ensemble | c. Late 1790s • • • By the end of the 1790s, ga

defunctfashion: Erte | Costume for “La Traviata” | c. 1923 lacma.org

defunctfashion: Robe à la Française | c.1760 A typical 18th century women’s dres

roses–and–rue: roses–and–rue: allrightmrdemille: defunctfashion: Ert

defunctfashion: Gown | c. 1760 The sack-back gown was the most popular style of formal dress for wom

House of Worth | c. 1882 via defunctfashion

defunctfashion: Nothing like a little #Fragonard humour to start your day. Thanks @newyorkermag!

defunctfashion: Robe à la Française | c.1760 A typical 18th century women’s dres

defunctfashion:Rei Kawakubo (Comme des Garçons | c. 1983 • • • A piece of Rei

defunctfashion: Suit and Beaver Tricorne Hat | c. 1780 #whattheywore #historicalfashion #fashion #fa

defunctfashion:House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Greff

defunctfashion:Adam Ant | c. 1981 • • • Ant designed of all his own costumes, indebte

defunctfashion: Formal Suit | c. First quarter of the 18th Century

defunctfashion: Gilbert Adrian | Costume for Norma Shearer as Marie Antoinette | c. 1938 1930s inter

defunctfashion:Nothing like a little #Fragonard humour to start your day. Thanks @newyorkermag!

defunctfashion: whattheywore: chocolatepot: Reception gown (or costume), Mme Ed. E. Thomé, ca

defunctfashion: Nothing like a little #Fragonard humour to start your day. Thanks @newyorkermag!

defunctfashion: Lanvin | c. 1926

defunctfashion: whattheywore: chocolatepot: Reception gown (or costume), Mme Ed. E. Thomé, ca

defunctfashion: Incroyable Ensemble | c. Late 1790s • • • By the end of the 1790s, ga

defunctfashion: Nothing like a little #Fragonard humour to start your day. Thanks @newyorkermag!

defunctfashion: whattheywore: chocolatepot: Reception gown (or costume), Mme Ed. E. Thomé, ca

defunctfashion: Evening Dress | c. 1897 • • • The Victorians often found sartorial in

defunctfashion:House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Greff

defunctfashion: whattheywore: chocolatepot: Reception gown (or costume), Mme Ed. E. Thomé, ca

defunctfashion: Costume for “The Phantom of the Opera” | Alexandra Byrne | 2004 Worn by

defunctfashion: Lasserre | c. 1883

defunctfashion:Open-robe Gown | c. 1797 The Empire dress owes its name, physical emancipation, popul

defunctfashion: Court Dress | c. 1860-65 The combination of court dress and the 1860s crinoline make

defunctfashion:Wedding Mantua | c.1759 — Helena Slicher’s wedding gown, which wore at he

defunctfashion: Incroyable Ensemble | c. Late 1790s • • • By the end of the 1790s, ga

defunctfashion: Erté | Costume for Ganna Walska as Flora in “Tosca” | c. 1920

defunctfashion: Court Dress | c. 1860-65 The combination of court dress and the 1860s crinoline make

defunctfashion:Ball Gown | c. 1859 ・・・ Usually I have an aversion to fringe used in sartorial applic

defunctfashion: whattheywore: chocolatepot: Reception gown (or costume), Mme Ed. E. Thomé, ca

defunctfashion:Wedding Mantua | c.1759 — Helena Slicher’s wedding gown, which wore at he

defunctfashion:House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Greff

defunctfashion: Evening Dress | c. 1897 • • • The Victorians often found sartorial in

defunctfashion: Costume for “The Phantom of the Opera” | Alexandra Byrne | 2004 Worn by

defunctfashion:House of Worth | c.1897– Élisabeth de Caraman-Chimay, the Countess Greff

defunctfashion: Jeanne Lanvin | c. 1935 ・・・ Lanvin was known for her artful use of embellishment, ma

defunctfashion: Elizabeth Hawes | “It’s My Own Invention” | c. 1937

defunctfashion:Adam Ant | c. 1981 • • • Ant designed of all his own costumes, indebte

defunctfashion: Elizabeth Hawes | “It’s My Own Invention” | c. 1937

defunctfashion: Evening Dress | c. 1897 • • • The Victorians often found sartorial in

defunctfashion: Worth | c. 1880s

defunctfashion: Mourning Wedding Dress | c. 1668 • • • A beautiful wedding dress to c

defunctfashion: Evening Dress | c. 1897 • • • The Victorians often found sartorial in

defunctfashion:Adam Ant | c. 1981 • • • Ant designed of all his own costumes, indebte

defunctfashion:Evening Dress | c.1850 —This elegant dress is made of mull with applications of jewel

defunctfashion: Nothing like a little #Fragonard humour to start your day. Thanks @newyorkermag!

defunctfashion: Cotton Gauze Dress | c. 1820 how does this look like it was made yesterday? those sl

defunctfashion: Costume for “The Phantom of the Opera” | Alexandra Byrne | 2004 Worn by

defunctfashion: Costume for “The Phantom of the Opera” | Alexandra Byrne | 2004 Worn by

defunctfashion: whattheywore: chocolatepot: Reception gown (or costume), Mme Ed. E. Thomé, ca

defunctfashion:Spencer Jacket | c. 1835 • • • The Spencer jacket was named for the 2n

defunctfashion: Costume for “The Phantom of the Opera” | Alexandra Byrne | 2004 Worn by

defunctfashion: Robe à la Française | c.1760 A typical 18th century women’s dres

defunctfashion: Men’s Ensemble | c. 1790s • • • #whattheywore #historicalfashio

defunctfashion: Evening Dress | c. 1897 • • • The Victorians often found sartorial in

defunctfashion: Madeleine Vionnet | c. 1936 • • • Vionnet offered an ultimate perform

defunctfashion:Wedding Mantua | c.1759 — Helena Slicher’s wedding gown, which wore at he

defunctfashion:Adam Ant | c. 1981 • • • Ant designed of all his own costumes, indebte

defunctfashion: Court Dress | c. 1845

defunctfashion: whattheywore: chocolatepot: Reception gown (or costume), Mme Ed. E. Thomé, ca

defunctfashion: Costume for “The Phantom of the Opera” | Alexandra Byrne | 2004 Worn by

defunctfashion: whattheywore: chocolatepot: Reception gown (or costume), Mme Ed. E. Thomé, ca

defunctfashion:August Alexius Canzi | c.1835 ・・・ SLEEVES ・・・ #whattheywore #historicalfashion #fashi

defunctfashion:Spencer Jacket | c. 1835 • • • The Spencer jacket was named for the 2n

defunctfashion: More #glamour from the #JacquelinedeRibes exhibition this weekend at #TheMet. I real

defunctfashion:Spencer Jacket | c. 1835 • • • The Spencer jacket was named for the 2n

defunctfashion: whattheywore: chocolatepot: Reception gown (or costume), Mme Ed. E. Thomé, ca

defunctfashion: Robe à la Française | c.1760 A typical 18th century women’s dres

defunctfashion: Nothing like a little #Fragonard humour to start your day. Thanks @newyorkermag!

defunctfashion:Adam Ant | c. 1981 • • • Ant designed of all his own costumes, indebte

defunctfashion:Adam Ant | c. 1981 • • • Ant designed of all his own costumes, indebte

defunctfashion: whattheywore: chocolatepot: Reception gown (or costume), Mme Ed. E. Thomé, ca

defunctfashion: Costume for “The Phantom of the Opera” | Alexandra Byrne | 2004 Worn by

defunctfashion:Nothing like a little #Fragonard humour to start your day. Thanks @newyorkermag!

defunctfashion:Adam Ant | c. 1981 • • • Ant designed of all his own costumes, indebte

defunctfashion:Spencer Jacket | c. 1835 • • • The Spencer jacket was named for the 2n