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tomdestry
tomdestry: Love is a romantic designation for a most ordinary biological or, shall we say, chemical
tomdestry: Love is a romantic designation for a most ordinary biological or, shall we say, chemical
tomdestry: There is no more foul or relentless enemy of man in the occult world, than this dead-aliv
tomdestry: Design for Living (1933) dir. Ernst Lubitsch
tomdestry:It was worth it to be near you.The Cameraman (1928) dir. Buster Keaton & Edward Se
tomdestry: Love is a romantic designation for a most ordinary biological or, shall we say, chemical
tomdestry: Bride of Frankenstein (1935) dir. James Whale
tomdestry: Bride of Frankenstein (1935) dir. James Whale
tomdestry: Bride of Frankenstein (1935) dir. James Whale
tomdestry: Jean Arthur in Mr. Smith Goes to Washington (1939)Costume design by Robert Kalloch
tomdestry:It was worth it to be near you.The Cameraman (1928) dir. Buster Keaton & Edward Se
tomdestry: The Invisible Man (1933) dir. James Whale
tomdestry:The Invisible Man (1933) dir. James Whale
tomdestry: Bride of Frankenstein (1935) dir. James Whale
tomdestry: To die, to be really dead, that must be glorious! Dracula (1931) dir. Tod Browning &a
tomdestry:The Philadelphia Story (1940) dir. George Cukor
tomdestry: I wouldn’t give you two cents for all your fancy rules if, behind them, they didn’t have
tomdestry: Norma Shearer in Lady of the Night (1925)
tomdestry: They’ve committed a murder. And it’s not like taking a trolley ride together
tomdestry: The Cameraman (1928) dir. Buster Keaton & Edward Sedgwick
tomdestry: The Black Cat does not die. Those same books, if I’m not mistaken, teach that the Black
tomdestry: Barbara Stanwyck’s outfits in The Lady Eve (1941)Costume design by Edith Head
tomdestry:Cary Grant in The Eagle and the Hawk (1933)
tomdestry: To die, to be really dead, that must be glorious! Dracula (1931) dir. Tod Browning &a
tomdestry: Love is a romantic designation for a most ordinary biological or, shall we say, chemical
tomdestry:Dracula (1931) dir. Tod Browning
tomdestry: The Black Cat does not die. Those same books, if I’m not mistaken, teach that the
tomdestry: Sometimes, I have wondered whether life wouldn’t be much more amusing if we were al
tomdestry: Laura (1944) dir. Otto Preminger
tomdestry: Through dangers untold. And hardships unnumbered. I have fought my way here to the castle
tomdestry: Ingrid Bergman in Casablanca (1942)
tomdestry:The Invisible Man (1933) dir. James Whale
tomdestry: Don’t you find respectable people terribly… dull?Marlene Dietrich as Shangha
tomdestry:The Invisible Man (1933) dir. James Whale
tomdestry: To die, to be really dead, that must be glorious! Dracula (1931) dir. Tod Browning &a
tomdestry:You Can’t Take It with You (1938) dir. Frank Capra
tomdestry: Jean Arthur in Mr. Smith Goes to Washington (1939)Costume design by Robert Kalloch
tomdestry: Fredric March as Death, Prince Sirki inDeath Takes a Holiday (1934) dir. Mitchell Le
tomdestry: To die, to be really dead, that must be glorious! Dracula (1931) dir. Tod Browning &a
tomdestry: THE PHILADELPHIA STORY1940 | dir. George Cukor
tomdestry:Cary Grant in Bringing Up Baby (1938)
tomdestry: Bride of Frankenstein (1935) dir. James Whale
tomdestry:Sometimes, I have wondered whether life wouldn’t be much more amusing if we were all
tomdestry: They’ve committed a murder. And it’s not like taking a trolley ride together
tomdestry: Jean Arthur in Mr. Smith Goes to Washington (1939)Costume design by Robert Kalloch
tomdestry:It was time to do the scene, and Cary said, “George, why don’t we just go ahea
tomdestry: Cary Grant as Julian De Lussac inLADIES SHOULD LISTEN (1934)— dir. Frank Tuttle
tomdestry:The Philadelphia Story (1940) dir. George Cukor
tomdestry: Norma Shearer in Lady of the Night (1925)
tomdestry: Norma Shearer in Lady of the Night (1925)
tomdestry: Ingrid Bergman in Casablanca (1942)
tomdestry: Queen Christina (1933) dir. Rouben Mamoulian
tomdestry:Dracula (1931) dir. Tod Browning
tomdestry: When I look into a microscope, Driscoll, I see bacteria swimming, fighting, existing, tha
tomdestry: Ginger Rogers and Ann Miller inSTAGE DOOR (1937) dir. Gregory La Cava
tomdestry: Bride of Frankenstein (1935) dir. James Whale
tomdestry:Have you never wanted to look beyond the clouds and the stars, or to know what causes the
tomdestry:Ginger Rogers and Ann Miller inSTAGE DOOR (1937) dir. Gregory La Cava
tomdestry: Vivre sa vie (1962) dir. Jean-Luc Godard
tomdestry:The Invisible Man (1933) dir. James Whale
tomdestry: Bride of Frankenstein (1935) dir. James Whale
tomdestry:Greta Garbo in Queen Christina (1933) & Ninotchka (1939)
tomdestry:Design for Living (1933) dir. Ernst Lubitsch
tomdestry:Hollywood dishes out too much praise for small things I won’t let it get me, but too
tomdestry:Cary Grant in Bringing Up Baby (1938)
tomdestry: Frankenstein (1931) dir. James Whale
tomdestry: Ingrid Bergman in Casablanca (1942)
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