for more on google : heidisaman
heidisaman: “Classical tragedy was the war between good and evil. We wanted evil to be def
heidisaman: “One of the reasons why in my life I have loved Bach so much is because I think he
heidisaman: Virginia Jaramillo, Untitled, 1971acrylic on canvas213.5 x 183 cm84 1/8 x 72 1/8 in 
heidisaman: “If we opened people up, we’d find landscapes. If we opened me up, we’
heidisaman: “Classical tragedy was the war between good and evil. We wanted evil to be def
heidisaman: “One of the reasons why in my life I have loved Bach so much is because I think he
heidisaman: Establishing shot. Still from Cairo Station (Bab el hadid) 1958, dir. Youssef Chahi
heidisaman:“My car’s my best friend. My office. My home. My location. I have a very inti
heidisaman: Virginia Jaramillo, Untitled, 1971acrylic on canvas213.5 x 183 cm84 1/8 x 72 1/8 in 
heidisaman: Virginia Jaramillo, Untitled, 1971acrylic on canvas213.5 x 183 cm84 1/8 x 72 1/8 in 
heidisaman: “One of the reasons why in my life I have loved Bach so much is because I think he
heidisaman: “One of the reasons why in my life I have loved Bach so much is because I think he
heidisaman: “Classical tragedy was the war between good and evil. We wanted evil to be def
heidisaman: “One of the reasons why in my life I have loved Bach so much is because I think he
heidisaman: “One of the reasons why in my life I have loved Bach so much is because I think he
heidisaman: Etel Adnan, Untitled, 2017. 
heidisaman: “One of the reasons why in my life I have loved Bach so much is because I think he
heidisaman: “I’m interested in seeing films that confront me with new things, with films
heidisaman: “Movies are a kind of dream and I think they should have an unreal edge to them, a
heidisaman: Helen Frankenthaler, Blue on One Side, 1962 Oil on paper.
You may also like
Prev 3/5 Next