Jan Van Eyck

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huariqueje:The Ghent Altarpiece Open  (Detail)   -    Jan van Eyck , 1430-32.Dutch, 1390-1441oil on

Link #jan van eyck #dutch artist #detail painting #flowers #garden landscape

The Ghent Altarpiece Open  (Detail)   -    Jan van Eyck , 1430-32.Dutch, 1390-1441oil on oak panel ,

Link #jan van eyck #dutch artist #detail painting

The People from the Wedding Banquet Find Sexual Freedom in China.  -  John Lurie   2007American b.19

Link #art history #giovanni arnolfini and his bride #jan van eyck #john lurie #american painter

renaissance-art:Jan Van Eyck c. 1434Arnolfini Wedding (detail)

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Jan van Eyck, Annunciation (detail), c.1434-1436

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The Last Judgement - Jan Van Eyck, 1430–40Metropolitan Museum of Art, New York

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magrittee:Adoration of the Lamb

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uconstruction:Jan van Eyck (1390-1441 Flemish) • Detail from Arnolfini Portrait & Edited 1434

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The Virgin and Child with Canon van der Paele (1434-1436). Jan van Eyck (Flemish/Netherlandish, bef

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Saint Barbara reading. After Hubert van Eyck (Netherlandish, c.1385 to 1390-1426) and Jan van Eyck.(

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The Ghent Altarpiece: Angels Playing Music (1426-1427). Jan van Eyck (Flemish, b. before 1395, d. be

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St Jerome (1442). Jan van Eyck (Flemish, b. before 1395, d. before 1441). Oil on parchment on oak pa

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phassa:The Annunciation (1434-6). Jan Van Eyck (Flemish, 1395-1441). Oil on wood panel, transferred

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<3callmehats:Details from the background of Jan van Eyke’s Ghent Altarpiece.Its 11 feet tall and

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<3callmehats:Details from the background of Jan van Eyke’s Ghent Altarpiece.Its 11 feet tall and

Link #art history #jan van eyck #ghent altarpiece #detail #awesome #architecture #painting

<3callmehats:Details from the background of Jan van Eyke’s Ghent Altarpiece.Its 11 feet tall and

Link #art history #jan van eyck #ghent altarpiece #detail #awesome #architecture #painting

<3callmehats:Details from the background of Jan van Eyke’s Ghent Altarpiece.Its 11 feet tall and

Link #art history #jan van eyck #ghent altarpiece #detail #awesome #architecture #painting

I love the Ghent Altarpiece. It’s so elaborate and the detail is so intricate. arthistory-blog

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Jan Van Eyck, The Madonna in the Church, c. 1438Mary is standing in the nave of a Gothic cathedral,

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Jan Van Eyck, The Madonna in the Church, c. 1438Mary is standing in the nave of a Gothic cathedral,

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Jan Van Eyck, The Madonna in the Church, c. 1438Mary is standing in the nave of a Gothic cathedral,

Link #jan van eyck #madonna in the church #gothic #cathedral #madonna amp child #art history #gothic cathedral #architecture #middle ages #flemish art #google art project

Jan Van Eyck, The Madonna in the Church, c. 1438Mary is standing in the nave of a Gothic cathedral,

Link #jan van eyck #madonna in the church #gothic #cathedral #madonna amp child #art history #gothic cathedral #architecture #middle ages #flemish art #google art project

It’s all in the details…Jan Van Eyck was so cool.cavetocanvas:Detail from the Arnolfini

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arthistorycq:

Link #jan van eyck #i was so proud of myself for instantly recognizing this #love all trust a queue do wrong to none

Detail from Crucifixion and Last Judgement diptychby Jan van Eyck (circa 1430-1440)Saint Michael the

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“Behold the Lamb of God who takes away the sin of the world.”- John, 1:29From Adoration of the Mysti

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The crown of the Virgin Mary in Madonna in the Church by Jan van Eyck, c. 1437

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Jan van Eyck, Ghent Altarpiece, 1432, detail.

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Jan Van Eyck, The Madonna of Chancellor Rolin, 1435.

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Jan van Eyck, The Lucca Madonna, 1436. 

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Jan van Eyck, The Lucca Madonna. 1436, oil on wood panel. Stedelsches Kunstintitut, Frankfurt am Mai

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Jan van Eyck, Man in a Blue Turban. 1433, oil on wood panel. National Art Museum, Bucharest, Romania

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Jan van Eyck, Portrait of Giovanni Arnolfini. 1435, oil on wood panel. Staatliche Museen zu Berlin,

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