Hendrick Ter Brugghen

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Esau Selling His Birthright, Hendrick ter Brugghen, ca. 1627

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Mars Asleep, Hendrick ter Brugghen, 1629

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Anthologia Palatina 10.122 (authorshipdisputed; perhaps Lucilius [2nd cent. BCE])Divine power can do

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The Supper at Emmaus, Hendrick ter Brugghen, ca. 1621

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Hendrick ter Brugghen - Christ Crowned with Thorns (1620). Detail.Note the “One God” hand sign.

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Hendrick ter Brugghen - Christ Crowned with Thorns (1620). Detail.

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Saint Sebastian Tended by Irene and her Maid (1625) - Hendrick ter Brugghen

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Three Backgammon Players, from the circle of Hendrick ter Brugghen, c1625.

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The Calling of Saint Matthew. 1621. Hendrick ter Brugghen (1588–1629)

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Esau selling His Birthright. 1627. - Hendrick ter Brugghen. Museo Nacional Thyssen-Bornemisza, Madri

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The calling of Saint Matthew - Hendrick ter Brugghen. 1621. Centraal Museum in Utrecht.

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The Crucifixion with the Virgin and Saint John. Hendrick ter Brugghen. 1624–25. Met Museum, New York

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A Man Playing the Lute, by Hendrick ter Brugghen, National Gallery, London.

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The Crucifixion with the Virgin and Saint John, by Hendrick ter Brugghen, Metropolitan Museum of Art

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Saint Sebastian Tended by Iren, by Hendrick ter Brugghen, Allen Memorial Art Museum, Oberlin.

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Democritus, by Hendrick ter Brugghen, Rijksmuseum, Amsterdam.

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The Bagpipe Player, by Hendrick ter Brugghen, National Gallery of Art, Washington.

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Hendrick ter Brugghen (1588-1629), ‘Melancholia’, 1627Source

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seeliequeene:Saint Sebastian Tended by Irene and her Maid (detail), Hendrick ter Brugghen, 1625

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seeliequeene:Saint Sebastian Tended by Irene and her Maid (detail), Hendrick ter Brugghen, 1625

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