Annibale Carracci

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Saint Anthony ~ Annibale Carracci

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lionofchaeronea:Anthologia Palatina 6.315 = Nicodemus ofHeraclea (author and date unknown)Notes: “Br

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Self-portrait, c1604. - Annibale Carracci. Hermitage Museum. 

Link #self portrait #annibale carracci #17th century #studio #hermitage

Self-Portrait with Other Figures. c1593. - Annibale Carracci. Pinacoteca di Brera, Milan.

Link #annibale carracci #self portrait #16th century #milan

Back View of a Seated Nude Youth Facing Left. Annibale Carracci,1560–1609. Metropolitan Museum, NYC.

Link #annibale carracci #youth #man #drawing #charcoal #italy #met museum

A Young Man, ca. 1595-1605. Annibale Carraci (1560-1609). Rijksmuseum, Amsterdam

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(Prseumed) Self Portrait - Annibale Carracci. 1575-80. 

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renaissance-art:Annibale Carracci c. 1597-1602Ceiling Frescoes, Palazzo Farnese

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Boy Drinking, 1582-83 by Annibale Carracci (Italian, 1560–1609)

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The Dead Christ, by Annibale Carracci, Staatsgalerie, Stuttgart.

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The Butcher’s Shop, by Annibale Carracci, Kimbell Art Museum, Fort Worth.

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The Burial of Christ, by Annibale Carracci, Metropolitan Museum of Art, New York City.

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Hercules at the Crossroads by Annibale Carracci c. 1595oil on canvasMuseo di Capodimonte

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Venus Adorned by the Three Graces by Annibale Carracci1590-1595oil on canvasThe National Gallery of

Link #venus #three graces #baroque #art #mythology #annibale carracci #national gallery us #italian #goddess #painting #nude

Annibale CarracciNude Study of a Young Man Lying on his Back with his Head Thrown Back, Eyes Closed

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Annibale CarracciNude Study of a Young Man Lying on his Back with his Head Thrown Back, Eyes Closed

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Pan, Annibale Carracci (c. 1592)National Gallery of Victoria, Melbourne

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Annibale Carracci, The Drunken Silenus (“The Tazza Farnese”) 1597/1600 NGA Washington DC

Link #annibale carracci #engraving #silenus

Annibale Carracci, A hunchback boy (c 1580-90)Devonshire Collection, Chatsworth

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Sun in the form of a mask rising behind a mountain, 16th C.Annibale Carracci (1560-1609)

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Male Portrait (The Lutenist Mascheroni), circa 1593-94Annibale CarracciRed chalk, heightened with wh

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medievalpoc:Someone finally wrote about this painting without referring to the woman depicted as “a

Link #medievalpoc #twitter #annibale carracci #race #history #essay #racism in academia #racism in art history #painting titles #artists titles #curation #organization #digital humanities #whiteness #white supremacy

medievalpoc:Someone finally wrote about this painting without referring to the woman depicted as “a

Link #medievalpoc #twitter #annibale carracci #race #history #essay #racism in academia #racism in art history #painting titles #artists titles #curation #organization #digital humanities #whiteness #white supremacy

medievalpoc:Someone finally wrote about this painting without referring to the woman depicted as “a

Link #medievalpoc #twitter #annibale carracci #race #history #essay #racism in academia #racism in art history #painting titles #artists titles #curation #organization #digital humanities #whiteness #white supremacy

medievalpoc:Someone finally wrote about this painting without referring to the woman depicted as “a

Link #medievalpoc #twitter #annibale carracci #race #history #essay #racism in academia #racism in art history #painting titles #artists titles #curation #organization #digital humanities #whiteness #white supremacy

medievalpoc:Someone finally wrote about this painting without referring to the woman depicted as “a

Link #medievalpoc #twitter #annibale carracci #race #history #essay #racism in academia #racism in art history #painting titles #artists titles #curation #organization #digital humanities #whiteness #white supremacy

medievalpoc:Someone finally wrote about this painting without referring to the woman depicted as “a

Link #medievalpoc #twitter #annibale carracci #race #history #essay #racism in academia #racism in art history #painting titles #artists titles #curation #organization #digital humanities #whiteness #white supremacy

Annibale Carracci, The Ecstasy of Saint Francis, c. last quarter of 16th century. Oil on copper, 47.

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Follower of Annibale Carracci, A nymph and satyr in a landscape, 16th or 17th century. Oil on canvas

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After Annibale Carracci, Christ in the Garden of Gethsemane, c. 16th or 17th century. Oil on oak pan

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Annibale Carracci, Pietà with Sts Francis and Mary Magdalene (detail), between 1602 - 1607. Oil on c

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Annibale Carracci, Madonna Enthroned with Saint Matthew, 1588

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Annibale Carracci, Lamentation of Christ (detail), 1606

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Annibale Carracci, Pietà with Sts Francis and Mary Magdalen, between 1602 and 1607

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Annibale Carracci, The Choice of Heracles (detail), 1596

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Annibale Carracci, Pietà (detail), 1600Carracci and his cousins are known for their extremely viscer

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Venus Adorned by the Graces by Annibale Carracci (1590-95)

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